Maxwell Hyett is a writer, artist and theorist currently completing his PhD at The Centre for the Study of Theory & Criticism at Western University. His work explores modern and contemporary issues of the creative act, especially through the art and architecture of the late nineteenth and early twentieth centuries. He is particularly interested in questions of perception, possibility and fragmentation. Hyett’s publications include the essays “Use(ful/less) Schematics” in Drain 15.1 (2018), and “The Poking of Christ: Death, Fakes and the Digital” in tba: Journal of Art, Media, and Visual Culture 1.1 (2019) and “Amateur Mortality” in Culture, Theory and Critique 61.4 (2020) as well as collaborative book reviews in Dada/Surrealism and Canadian Society for Continental Philosophy.